Today is my turn on the blog tour for Unforgivable by Mike Thomas and I’ve got a great post from Mike for you all to read a little further down. First though, here’s all the bookish information you need to know!
About the book:
Bombs detonate in a busy souk, causing massive devastation.
An explosion rips apart a mosque, killing and injuring those inside.
But this isn’t the Middle East – this is Cardiff . . .
In a city where tensions are already running high, DC Will MacReady and his colleagues begin the desperate hunt for the attacker. If they knew the ‘why’, then surely they can find the ‘who’? But that isn’t so easy, and time is fast running out . . .
MacReady is still trying to prove himself after the horrific events of the previous year, which left his sergeant injured and his job in jeopardy, so he feels sidelined when he’s asked to investigate a vicious knife attack on a young woman.
But all is not as it seems with his new case, and soon MacReady must put everything on the line in order to do what is right.
Out now from Bonnier Zaffre, click HERE to get your copy!
About the author:
Mike Thomas was born in Wales in 1971. For more than two decades he served in the police, working some of Cardiff ’s busiest neighbourhoods in uniform, public order units, drugs teams and CID. He left the force in 2015 to write full time.
His debut novel, ‘Pocket Notebook’, was published by William Heinemann (Penguin Random House) and longlisted for the Wales Book of the Year. The author was also named as one of Waterstones’ ‘New Voices’ for 2010. His second novel, ‘Ugly Bus’, is currently in development for a six part television series with the BBC.
The first in the MacReady series of novels, ‘Ash and Bones’, was released August 2016 by Bonnier Zaffre. ‘Unforgivable’, the second in the series, is released in July 2017.
He lives in the wilds of Portugal with his wife and two children.
Follow the author on Twitter at @ItDaFiveOh. More details can be found on the website http://www.mikethomasauthor.co.uk
The Writing Process
Some writers like to have a set routine. Some can’t operate unless they do the same thing day in, day out. You know, bounce out of bed at six in the morning, make a coffee then type away until noon, not stopping until they hit their word count target. Then it’s some lunch and social media and rewriting other stuff and finally a late evening stroll, possibly wearing something corduroy.
My writing life, in comparison, is chaotic. I’ve moved house half a dozen times in the last seven years, and within each new home I – for various incredibly tedious reasons like decorating and family coming to stay and that one time I got electrocuted – have had to constantly move ‘office’. As a result, I don’t really have a fixed writing place – at the moment it’s a desk in the corner of my bedroom, which is handy for rolling from under the duvet to my chair – never mind a ‘process’. It’s more of a very rough and ragged list of things I need – or need to do – in order to get a few words out. No writing-based profundity here, I’m afraid!
So here they are, in all their glory.
- I always aim for one thousand words each session. I stay there and type until I hit my target. It might be sunny outside and ripe for a walk. Netflix might have dropped a new episode of Orange is the New Black. I might not have argued with anybody on Twitter for at least an hour. I KEEP WRITING. All that fun stuff can come later.
- I turn all notifications off. Everything. Gong noises and whoops and alarms sounding plus envelopes and red dots popping up everywhere is just distracting, like having toddlers tugging at your ankles every five minutes, demanding attention. Off they go. Sometimes I forget to turn them back on, and lose followers on Twitter. Sorry everyone.
- Tea. I like tea. Lots and lots of tea, piping hot with two sugars to help bring on Type 2 Diabetes when I reach fifty. This is a holdover from my policing days, when we used to drink urns of the stuff in the nick then laugh and laugh as our stomachs burbled and wobbled while we wrestled with drunks.
- A window. One with a nice view so you can turn from the screen for a quick break and stroke your chin while thinking Fancy Writing Thoughts, or perhaps whether you should get a haircut as it’s a bit long (fact: I once spent an hour mulling this over). Anyway, I live in Portugal, and until mid-June this year I had a lovely view of bright blue sky and red roof tiles and shimmering eucalyptus trees but then the whole bloody country caught fire so now I get to see ash and charred tree trunks disappearing into the distance. Which is nice.
- I cannot keep writing a single, hugely lengthy document such as a novel manuscript, typing new scenes and chapters as I go. I get completely lost, and as I am also incapable of using ‘writing software’ such as Scrivener, this is the only way I can do it: I write the chapters separately, working and reworking them until I’m completely happy they’re not utter rubbish. It is only then that I add them to a ‘first draft’ of the manuscript. In other words, they don’t get in the club unless they’re good…
- I have a particular way of formatting the page – chapter headings, scene breaks, font (Times New Roman, every time) and so on. I can’t write if it’s not right. This will come across as a tad weird and borderline OCD, but I simply cannot create, darling, if things aren’t perfect. What I really mean is, I try to replicate the look of a novel, even if the MS is in its embryonic stage. It just helps me along a little, knowing what the thing will look like when – if – published…
- I like to work on the latest novel in the afternoon. I am awful in the morning, a complete waste of space – staggering around, grumbling and unable to form a coherent thought, never mind sentence. So first I work on my other job as a writer-for-hire, doing travel pieces and ‘The Best Bartending School in Brisbane’ type articles. It pays the bills, and it also gets the rusted cogs turning in my head, so by the afternoon I’m raring to go for several hours. Or to stare out of the window at toasted countryside.
- See the above regarding Scrivener. Several years ago my wife, oh so hilariously, told me she’d purchased a Scrivener subscription to help me write my debut novel, ‘Pocket Notebook’. Turned out to be a long roll of wallpaper lining where I could ‘do’ flowcharts and other plot-related stuff, using the handy set of pencils she’d also bought. But the last laugh was on her, because I now use it every time I begin to prep a new novel. I hang it – crammed full of flowcharts, bullet points, scribbles and thoughts – on the wall right in front of my desk in the bedroom, which is terribly unsightly and drives her mad. That’ll learn her, eh?
Many thanks to Mike for this great post, and to Emily at Bonnier Zaffre for having me on the tour! Make sure to check out the rest of the tour too! 🙂